CV

TheSamGassman@gmail.com

Sam Gassman, b. 1964 in Clinton, Iowa, United States of America, is a visual artist and jeweler living and working in New York City. He has an extensive background making, selling and advising on the history of jewelry, architecture and decorative arts.

Samuel Gassman is represented by Ornamentum Gallery.

  • Artistic Training

    • Metalsmithing, mentorship with Chunghi Choo, University of Iowa, Iowa City, (2001-2012)
    • Violin, Augusta Carrico, Kathryn Stoskopf and James White
    • Book binding, William Anthony, Iowa Center of The Book, Iowa City, IA
    • G.G. Graduate Gemologist, Gemological Institute of America, Santa Monica, CA (1992)
    • B.A. Liberal Arts, English major/Italian minor University of Iowa, Iowa City, IA (1986)

  • Select Exhibitions

    • Design/Miami, Miami Beach, Florida (2023)
    • Flora & Fauna, Ornamentum Gallery, High Line Nine Gallery, New York, New York (2023)
    • Design/Miami, Miami Beach, Florida (2022)
    • Salon: Art & Design, Park Avenue Armory, New York, NY (2022)
    • Whispers and Cries, New York Jewelry Week, New York, NY (2022)
    • Schmuck + Image, Grassi Museum of Art, Leipzig, Germany (2022)
    • Design/Miami, Miami Beach, Florida (2021)
    • Ornamentum Gallery, Hudson, NY, The Dowery Of The Faerie Queen (2021)
    • a space gallery, New York, NY, Diamonds, Razors and Champagne (2021)
    • Grassi Museum, Leipzig, Germany, Grassimesse (2020)
    • A Space, Brooklyn, NY, Thirteen Twenty Three Exhibition (2013)
    • The Greenville Museum of Art, NC, Tongue and Cheek (2013)
    • Figge Museum of Art, Davenport, Iowa, by invitation (2010)
    • The Iowa Metal Guild Exhibition, Figge Museum of Art (2009, 2008)
    • Invitational International Metal smithing and Jewelry Exhibition, Kyung-Geum Metal smith Association Exhibition, Kepco Plaza Gallery, Seoul, Korea (2004)
    • Out Like That! Bronx Academy of Arts and Dance NYC (2002, 2003)
    • Cheongju International Biennale, juried exhibition, Cheongju, Korea. Received Honorable Mention Award (2001)

  • Public Collections

    • Rhode Island School of Design Museum of Art, Providence, RI. Jewel 23 (Portrait Bracelet) (2022)
    • Museum of Art and Design, New York, NY. Queer Poseidon (Pink Parure) (2022)
    • Cooper Hewitt Smithsonian Design Museum, New York, NY. The Flag Has Always Been a Problem, Finger Print Books (2021)
    • Musée des Arts Décoratifs, Dogs Jumping Logs, Paris, France (2021)
    • Grassi Museum, Leipzig, Germany (2020)
    • Grassi Museum, Leipzig, Germany (2019)
    • Cooper Hewitt Smithsonian Design Museum, New York, NY. Bass Book, Exit and Lead Book of Hours (2019)
    • Museo Arte Contemporano (MAC), Santiago, Chile (2016)
    • International Human Rights Flag currently on display, United States Embassy, London, England (2012)

  • Publications

    • Chunghi Choo and Her Students, Arnoldsche publishers (2022)
    • Schmuck + Image, Grassi Museum of Art catalog, Arnoldsche publishers (2022)
    • The Flag Has Always Been a Problem, Leopold Masterson Publisher (2018)
    • Catalog of 13 | 23, Tamara Johnson and Leopold Masterson Publishers (2013)
    • 500 Neclaces, Lark Press (2013)
    • Button, Button, Osborn Press, provided historical material and editing (2000)
    • Warman’s Guide to Jewelry, 2nd ed., Romero, provided historical material and editing for Georgian and Victorian Period. Board of Advisors (1998)
    • Warman’s Guide to Jewelry 1st ed., Romero, provided historical material and editing for Georgian and Victorian Period. Board of Advisors (1995)Description goes here

  • Select Film and Theatre Designs

    • Dixon Place, New York City, set design for choreographer Antonio Ramos, Almodovar Dystopia (2017)
    • Jacks Theatre, New York City, set design for Antonio Ramos, Thirsty Mind Sitting In a Lonely Tree (2017)
    • John Adams, HBO series, historical jewelry consultant (2010)
    • Hostos College, New York City, set design for choreographer Antonio Ramos, En La Arena No Todo Es Rosado (2010)
    • Artistic Director, Celluloid #1, Independent Film by Bone Film Production, Director Steven Stasso (2007)
    • Theatrical designer for Keely Garfield, The Joyce Theater, NYC (2004)
    • Joyce Theatre, New York City, set design for Antonio Ramos, Me Me Me (2004) • Brooklyn Arts Exchange (BAX) set and costume for choreographer Antonio Ramos, selected artist in residence, NYC (2003-2004)
    • No Arm , performance, set and costume design in collaboration with choreographer Antonio Ramos, BAAD! (Bronx Academy of Arts & Dance) NYC (2002)
    • Tribute to John Waters, costume and set design in collaboration with choreographer Antonio Ramos and Tami Stronach, BAAD! (Bronx Academy of Arts & Dance), NYC (2001)ere

  • Select Architectural Designs

    • The Wade Eldredge House, 1849, historic hotel restoration and redesign (2008-present)
    • Element Clinic, Brooklyn Heights, NY, concept and design of new wellness center and gardens (2004)
    • Athens Eye Clinic, clinic concept and design, Athens, Georgia (2001)
    • Captain Smith residence, 1858, restoration (1991)

  • Awards/Honors

    • Summer Residency by invitation of Metal Arts & Jewelry Program, School of Art and Art History, University of Iowa, Iowa City, IA (2002 - 2012)
    • Cheongju International Biennale, juried exhibition, Cheongju, Korea. awarded Honorable Mention (2001)